tl;dr
In a year where I’ve read some extraordinary debut collections, Lesley Nneka Arimah’s is right up there.
opening remarks
What It Means When A Man Falls From The Sky by Lesley Nneka Arimah has featured on the year’s best lists of people I rate. I bought it when it came out eight months ago and here I am cracking open the covers on the penultimate day of the year.
knee-jerk observations
We’re off to a scintillating start. The Future Looks Good is a short, powerful story with a gut punch in the tail. As Ezinma fumbles with her keys we flashback to the story of her family in Nigeria. The opening line, which I won’t quote, foreshadows something horrible and yet the rapid stream of family history, of civil war, hard times and abuse makes us forget the inevitable around the corner.
Wild is a story that could easily be the first section of a novel. Ada is a rebellious teenager (a tautology?) acting out by taking drugs and calling her teacher a fascist:
Second Chances is a sorrowful slice of magical realism. Nnwam has to again come to terms with her mother’s death after her mother abruptly appears alongside her father having seemingly walked out of a photo. Arimah, thankfully, avoids questions of how this resurrection came about and instead focusses on Nnwam’s guilt, recalling her last conversation with her mother before she died. The opening paragraph not only establishes the tone but it’s also a fine piece of writing:
Glorybetogod (her real name even if Facebook won’t believe her) has made so many wrong decisions in her life that the bitterness of failure and lack of worth has led her to consider suicide. As miserable as that sounds Glory is one of the funnier and, to an extent, lighter stories in the collection. The excerpt below has Glory meet a gentleman named Thomas whom she has conflicting thoughts about:
What Is A Volcano is the most wonderful bedtime story about the tragic war between the Ant God and the River God.
The Gist Of It
What It Means When a Man Falls from the Sky is a fine compilation of short fiction. In a year where I’ve read some magnificent debut collections – David Hayden, Carmen Maria Machado – this one is right up there and deserves the recognition it’s been getting. The predominant theme of these 12 stories is family and in particular relationships between parents and children. In a couple of the stories a father or mother is dead or no longer in the picture and, as a result, these are also stories about young people (and some not so young) trying to find a sense of worth and purpose. The addition of Nigeria, a key setting in a number of the pieces, only heightens the importance of family and the hope of building a better life for the next generation. While the theme might carry-over from story to story tonally and in terms of actual content and shape they are very different. Arimah offers up dark fairytales, magic realism, science fiction, young adult drama, and stories that cleave closer to reality. It’s this change in mode, from realism to genre to somewhere in between that marks Lesley Nneka Arimah as a writer to be excited about.
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